Showing posts with label hip mobility. Show all posts
Showing posts with label hip mobility. Show all posts

Friday, 13 November 2015

Interesting core: Side lying splits


We have more interesting 'move from your core' work in this sequence that also leads to splits in another orientation to gravity.  


Remember, you don't have to do the splits--try not to 'aim' for that.  Try your best but don't be attached to an outcome.  Most people will not be able to do the splits and what you might do is bring knee to chest as shown on the left.

You do what feels possible and comfortable for you without straining.  Feel challenged but without mental or physical tension.

I have made two video versions of the sequence.  One to show what you could do for splits variation. The other to show for knee to chest variation.  

You will get a feel for what is possible for you.  

I come into these postures actively.  That means I bring my leg towards my chest without using the hands.  This will require good balance and core stability, as well as good hip mobility.  

Take a look at the videos so you can see the movement in action.  Then take a look at how I deconstruct the postures in the pictures.

Video: Splits Variation


Video: Knee to Chest Variation


Key Actions
Below are some step by step instructions.  Remember do not do anything that hurts.  Be mindful of your knees.  To get into the posture there are some tricky hip movements and whenever you are working with hips you need to be cautious of knees.  

Move slowly so there is no strain.  If you feel strain then go back to the previous position you were in. 

Lunge
In this lunge bring your hand towards the ground but do not 'dump' the weight into the hand.  Support yourself with your legs.  The hand is more there for a bit of balance if you need but you should feel you could take your hand off the ground.








Turn feet 
Both feet turn the same way.  Turn the back foot 90 degrees and onto its side.  Keep your ankle away from the floor.

The front foot turns as well but that is not where the movement comes from.  I actually think about rolling my thigh out rather than moving the foot.   I lift the ball of that front foot and as I roll the thigh out the knee will move out to the side and allow your foot to move with you.  Move slowly and carefully.  If this is not comfortable go back to the lunge and remain there for a while until the side lying part comes up.

Be on the outer edge of the front foot as well.  Keep the ankle away from the ground.

In this position stay lifted out of the arm on the ground.  You could take it away.  To do this you need to ensure you are pushing your front heel down and away from you and firm in your other leg.

Lower hip to floor
Mindfully lower the hip towards the ground.  Go slowly.  No strain.  If in any discomfort go back to the previous position.

Stay lifted out of the arm as though you are pushing that hand down and away from the side of the body and so the chest feels as though it is moving away from the ground.









Lie on your side
This bit gets fun.  Take your arm under the side of your body.  Find a position where it is comfortable.   Feel as though you are pressing that arm into the ground.

Keep your legs and feet firm.

If possible take the top arm to the top side, as shown below.
Try to be in a straight line.  Hips and shoulders stacked on top of one another.  There will be a tendency to drop one hip or shoulder back.

Knee to chest

Carefully bring knee to chest.  Be mindful that you do not drop a hip or shoulder back to come into this position.  Feel your tummy muscles working for this.  As I prepare to come into the position I feel as though I am pushing the sitting bone of that top leg forward.


You can hold there or see if you can straighten the leg, as shown below.
If you straighten the leg, keep the foot and leg away from the floor.  See my foot is not on the ground. 

You can then use your hand to come into an assisted posture.  

Graceful exit
If you are in a good split you can come out of the posture by rolling tummy to ground.






Then coming up into a split.












If you are with knee to chest or if your split is not 'split' enough then hug knee to chest.   Be firm behind the knee (as though you are gripping a rolled up towel or something behind there).

If your knees are ok then carefully roll tummy towards the ground so shin is on the ground.   Be mindful.  If you are lolling around a bit like a beached whale then rethink your exit strategy!  We want graceful exit so your exit might be to come back into a lunge (not pictured).



Then come up like an elegant swan!

In this posture I still want to feel like I am lifting away from the ground.  I press my front foot down into the floor.  I am also using my back foot to press down into the floor.  I feel as though I am drawing the back knee towards my chest so that I am not sinking into it.

You will know if you have got good lift as it will be easy to take the arms up.



Have fun.  Be safe.  Feel like you are doing something but not straining.  Try your best but do not be attached to an outcome.  Move slowly.  Tense less, stretch less, breathe less, and think less.  Smile.  

We will be working with this as part of our sequence for the next 5 weeks.  Join us for outdoor classes, rain, wind or (we hope) sun!

Much metta,
Samantha

www.yogacafecanberra.blogspot.com
www.yogacafelk.blogspot.com




Saturday, 30 May 2015

Wowee Active Hip Opening Sequence!




In the second part of our standing phase of the current series we do this warming, lengthening, strengthening (not to mention challenging) sequence of five linked postures.

This will really connect you to your outer/side thigh/butt area of the front leg.  Remember to stretch less, tense less so if it is too intense then back off.

I did this sequence five times in 36 hours while teaching classes (not sure why I have scheduled five classes in that time frame!) and by the fifth time it was as though I had new hips.  It made me think  I should see if you can get a medicare rebate or something back from your health fund for coming to class as it should feel as though you have a whole new pelvis.

Runners and cyclists, I think you will particularly enjoy it!

Be mindful that you stay lifted out of the front hip so you feel tall rather than sinking.

Also, remain mindful that the front thigh rolls out and back thigh rolls in.

No squashing in the lower back.  It should feel free.

I hope you enjoy this!

I have put the main postures below, with a few optional extras, which is why there are more than 5 steps.

1. From standing, step back...

2. To parsvakonasana...

3. Optional bind only if you can get it in the first second.  Otherwise, let it go...

4. Turn this into a standing balance...

5. Then back to a lunge and turn it into a standing balance the other way (active spinal twist towards the thigh)...

6. To parivrttta parsvakonasana...
7. With an optional bind if it comes in the first second.  Otherwise, let it go...
8. It is almost finished!  Turn back to front and turn it into a standing split without arms ...

9. Ta da!  You did it.  Wowee.  Walk around and see if you can sense a difference between your two sides before trying the second side.

Remember, these posts are mainly for people who practice with me and come to classes or who have an experienced teacher whom they can ask questions of and get feedback from.  Learning from the internet is not recommended.

Might have to think about hip mindfulness workshop soon.  Remind me to help you with this at our upcoming Sri Lanka retreat (16-19 July 2015) and in Bali in September!

Happy and safe practicing!

Much metta
Samantha


www.yogacafelk,blogspot.com
www.yogacafecanberra.blogspot.com
www.artofliferetreats.com

Saturday, 16 May 2015

Balance on the edge


I have been talking about balance in classes this week.

My sequences contain a lot of one legged standing postures.

They help you cultivate stability and mobility around the ankles, knees and hips.

They are also one of the things new students find the most challenging about this style of yoga.

In this video I show myself refining my balance by practicing on the edge of a park bench.  You need to have developed a bit of confidence to try this.

Some of you will be ready for this type of challenge, some of us are still working on getting into balance on solid ground.

Below I share a few thoughts and tips on cultivating better balance.

A slow lift not a catapult 
When I look around in class, sometimes I see people flinging their limbs around in an effort to bring them up and balance.

There is often a bit of wild jabbing and toe-up-toe-down-fling-up-fall-down manoeuvring.  
Sometimes it works.

Most often it is just a bit frustrating for the leg flinger (from the looks on faces) and I am reminded of a baby bird just flapping its wings around but never taking flight.  Having said this I am sometimes guilty of this type of wild flinging--especially when practicing other types of balances like handstands!

When I balance I try to get a sense of the weight shift so the balance feels more like coming into flight.  The initial lift feels mostly effortless in the limb that raises--your foot almost comes off by itself.

Remind yourself balance is about subtle shifts in your centre of gravity.

It might help to think about old fashioned scales where you put weights on one side to try and match the weight on the other so that both sides are equal.

When working with your body you are gradually shifting more weight to one side so that the other side starts to feel lighter.  When you get to the 'sweet spot' the toe feels so light that raising it becomes irresistible.

In all of this, it helps to move slowly.

Feel the grip of the toes
When coming into a balance where the lifting leg is behind the body I gradually shift my weight forward.  If I move slowly I get to a point where the toes of the standing (front) leg naturally start to grip.

They do this so you don't fall on your face!

When you get that initial (natural) grip it is a good indicator that the back toes are getting ready to lift.

One you get that initial seemingly effortless lift, you need to put in some more thoughtful and active effort to raise that leg further.

Relax your face
You don't need a strong tongue, eyeballs, throat, or lips to balance.  But these places often start to get tight when coming into balances.  Perhaps because we are concentrating.

If possible, see whether you can relax those places.

You might notice that, on a physiological level, you start to feel more calm.  That will help with the balance.

It does help to look at the ground/floor with your soft eyes.

Be mindful of keeping lifted out of the standing hip
In the video I do a balance where the leg behind lifts then transition to bringing that leg in front of me and standing upright again.

In both types of balance I am working mindfully to stay lifted out of the standing (weight bearing) leg hip.

That means in my standing leg I am trying to keep front of groin open, keeping a sense of moving the outer hip towards the inner thigh, and rolling the standing thigh out.

Practice heel raises
The opening sequence in my classes involve a set of active heel raises to help cultivate stability in your ankles.

When we do these heel raises we try to lift outer feet toward outer ankles.

This helps to strengthen the muscles on the outer ankles and really helps with your balance.

I will need to post a video of that next!

Until then, happy and safe practicing.


www.yogacafecanberra.blogspot.com
www.yogacafelk.blogspot.com
www.artofliferetreats.com

Friday, 23 January 2015

Is That Real Yoga? (Or, How To Improve Your Natarajasana And Relax Hip Flexors)


 
Full natarajasana

‘Is that real yoga?’

That was a comment from a passerby who chatted to us as we practiced our outdoor class last week. 

It certainly felt very real to us as we all attempted to hold our active natarajasana!

Below is a photo of me in active natarajasana.  Look, no hands!

Active natarajasana

If the passerby had have walked past a few moments later when I was in full natarajasana (picture at top of page) then no doubt she might not have even asked whether we were doing 'real yoga'.  

The thing is, the top pose looks really impressive, but the active, less impressive looking one, is, in many ways, harder.

In this post I talk about how to progress to full natarjasana.  A video of me coming into the posture is at the end of the post. 

What is Active Natarajasana?
Active natarajasana is where you try to initiate the pose without using your hands. 

It is relatively easy to pull your foot to your bottom using your hand. 

It is much, much, much harder to try and draw your foot close to your bottom without using your hands and then try to push your shin back and foot up (still without hands). 

It is challenging for a number of reasons.

For a start you are trying to balance on one leg as you do something tricky. 

Then, while many people may have tight hamstrings, not many have strong hamstrings (note you can be tight and weak).

Bringing your heel to your bottom without hands activates hamstring muscles. 

Try it yourself and see how much you can bend your knee.  

If you are like many people it wont be very far. 

In fact, you might be lucky to get it past 90 degrees. 

Then, if you do manage, you might find that you start to get a cramp either in your calf or foot or hamstring or any combination of these and you somehow need to figure out how to come into the pose without this happening!

Here I had a special note, it helps if you do not point your toes and foot and if you move slowly.

Why would I do active natarajasana?
Active natarajasana does not look that impressive—until you try it for yourself!

I suppose that is one reason why the passerby thought we were not doing real yoga.

But active natarajasana will help your practice a lot.

Coming into poses actively helps you build strength and reduces the chances of overstretching.  And I generally find that hamstrings are always in danger of being over-stretched by yoga students.

In this pose using the hip extensor and knee flexor muscles to draw the body into the posture will help opposing muscles (the ones that will be lengthened—the hip flexors) to relax. 

This helps you come more deeply into the pose without feeling like you are stretching since the muscle is more relaxed.

That means you improve mobility. 

You can also learn to relax chronically over-tense muscles. 

Hip flexors are some of those muscles that tend to be chronically short and tight given most people sit with them in that position all day.

For some people this can, in turn, help relieve low back tension.

If you find you cannot lift the leg at all, then you can get good work with just toe tip on the ground, as shown below.



What next?
We don’t stay in active natarajasana, although some of us choose to.  That is where we might be at.

If we want to move deeper, we then go to an active-assisted version of the pose.

What is active-assisted natarajasana?
The active assisted version is where you do take hold of the ankle. 

It is the way that you take hold of it and what you do next that is important.

When you hold the ankle you cultivate a push-pull action.

That is, you try to push the ankle/shin into the hand as you pull with the hand (as though to bend the elbow).



When you do this you should find that some of the muscles that have been lengthened now start to activate. 

They are activating in a lengthened state. 

This posture is not about pulling your leg up with your hand. 

After I push my shin into my hand I then push my foot up.

I will be able to take my leg higher in this way.  But the key point is that it is still active.

At the same time there are other elements to the posture. 

I am trying to unsquash my lower back through two main actions.

First, pushing sitting bones to heels and top of pelvis back., which lengthens lower back.

Second, by using the free hand to push the armpit forward and up, which has a whole spine tractioning effect. 

Why do active assisted natarajasana?
Start by remembering, you don’t have to do it.

If you are in the posture you will find that the muscles that are being lengthened are now also being activated, which creates a relaxation effect when you come out of the posture.

That means you will have released even more tension in those muscles.

However, you are also teaching your body to be both strong and flexible.

Is this for everyone?
Well, you should let your comfort be the judge of that. 

For people with chronic tightness in their hip flexors such that they tend to get aggravated with activation I tell them to stay with just the active version and avoid the active-assistive version. 

That means they get the relaxation effect in their chronically tight muscles by activating the muscles on the opposite side of the joint. 

As a teacher (remember you are the teacher of your own self as well even if you do not teach other people) you don’t take a one-size fits all approach to people’s bodies.

For people with chronic tightness in their hip flexors that get aggravated by activation, I also modify postures that tend to oblige hip flexors to be active.

While it might now sound like I am back-tracking on active movement, it is actually that I am using a whole of body approach to balance the activation that is required to move towards freedom.

Here it starts to get very technical and where you want to make sure you talk to a skilled yoga teacher before just reading something on a blog!

Below I have taken a video of me going through the steps to come into the full natarajasana.  It takes a lot of shoulder mobility.  It is definitely not for everyone.  Most people I know cannot get enough shoulder rotation to do this and you must move slowly.  I do not encourage people to try without a teacher's guidance and it is only shown for demonstration purposes.  You can see that I let my hand go at key points and try to hold my leg in position without the hand for a small moment. 



Have fun with your active natarajasana.  You tell me whether you think that is ‘real yoga’ or not!!

I teach active movements in classes and workshops and this is definitely something we will workshop on our retreat in Bali.  Spaces are filling up fast so sign up soon.

Happy and safe practicing.

Much metta,
Samantha

www.yogacafecanberra.blogspot.com
www.artofliferetreats.com
www.yogacafelk.blogspot.com










Thursday, 13 February 2014

Dynamic Balance

One legged standing poses can strengthen the standing leg and promote mobility in the raised leg hip

Standing on one leg helps develop stability in the hips, knees, and ankle of the standing leg.  When you are really stable on that leg you can do all sorts of interesting things with the rest of your body.


In the videos below I demonstrate how you can do a lot more with one legged standing poses than just plain old vrksasana (tree pose).  Not that there is anything wrong with vrksasana--it's great too.  But there is a lot more you can do in standing balances that will take your non weight bearing hip through more range of movement while moving energy through the spine.  



These movements are based on my interpretation of the opening postures of the Yoga Synergy Air Sequence.  Please go to the original teachers, Simon Borg Olivier and Bianca Machliss for expert guidance (www.yogasynergy.com).

I have filmed a simple version and a more complex version.  Do what feels right for you. 


One-legged dynamic standing sequence: Simple version

For most of these postures it helps if the weight bearing foot is slightly turned out.  Allow the standing leg to be bent.  You do not have to straighten it.  You can claw with the standing toes a little.  It helps with balance.  Relax your gaze.  In the beginning it helps to look at the floor but with practice you will find you can find other points of focus on.  Let the grounded foot move and wobble as needed to help you find your balance.  


The standing leg hip might try to jut out to the side so try to keep it in.  It's important that you don't feel squashing around the front of the thigh or in the lower back.  Make subtle shifts to keep these areas at ease.  It helps to keep reminding yourself to let the sitting bones move down the back of the thighs.  Relax the tongue, lips and jaw.    


The instructions for the simple and more complex versions are basically the same.  Don't raise the toe if it does not feel right.  You will develop your balance skills even if you keep the toe on the ground.  

Over time, you can lighten the load on the toe so it is just the toenail touching and one day, perhaps, the toe might feel like floating off.  Don't be in a rush to get there and even when you do come back to the toe tip practice sometimes.  I often do and it feels great.



One-legged dynamic standing balance sequence: More complex version

Instructions

Stand comfortably.  Knees soft.  Soften the sitting bones down the back of the thighs to create relaxed space in your lower back.  Relax the face.  Breathe naturally.


Stand comfortably



Simple version
More complex version
From standing comfortably, lean to the right and take your left toe tip forward.  Move the hips forward. Roll the shoulders out, chest rises.  Stay, or lift the toe.  Stay or straighten the leg.  Raised thigh rolling out. 









Simple version


More complex version

Toe tip down, take it to the side.  Thigh rolls out.  Roll the shoulders in.  Hips move forward.  Stay, or lift the toe.  Stay or straighten the leg.  Raised thigh rolling out.










Simple version
More complex version

Toe tip down, arms down.  Roll the thigh in.  Take the toe diagonally behind, knee straight.  Raise the opposite elbow to shield your face.  Lengthen through the front side waist and move the back leg hip forward and up to firm the opposite waist.  Stay, or raise the toe.  








Simple version
More complex version

Toe tip down, elbow down.  Take the toe tip behind you, knee straight.  High on the back toes.  Thigh rolls in.  Push both armpits down towards your waist.  Move the hips forward. Slowly lower the body a third to a half way, however much is comfortable.  Stay, or raise the toe.  









Simple version
More complex version
Toe tip down, thigh rolls in, body rises.  Raise the same side elbow, lengthen through the waist.  Stay, or raise the leg.  












Simple version
More complex version
Toe tip down, elbow down, you are still in a twist.  Toe tip forward, hips forward, take the arms forward and across to twist the other way.  Turn the head and look over your front shoulder, chin to the middle of the throat  head tipped to the side to lengthen the top side of the neck.  Stay, or raise the toe.  Perhaps straighten the leg.  






Return to centre.  Repeat on the other side.  Happy and safe practicing.  Look forward to seeing you in class.

Much metta,

xo Samantha